D.J. Tanner-Fuller is a widow and mother of three. Things become too much to handle, so she asks for help from her sister Stephanie and her best-friend Kimmy.

An avant-garde short filmed in striking black and white, with legendary US director Samuel Fuller playing himself in a surreal setting.

Friends and admirers of iconoclastic film director Sam Fuller read from his memoirs in this unconventional documentary directed by Fuller's only child, Samantha.

Poor Red Jones gets fired from every job he tries. His fiancée gives him one last chance to make good when he becomes a Fuller Brush man. His awkward attempts at sales are further complicated when one of his customers is murdered and he becomes the prime suspect.

This film is not so much about Fuller but rather Buckminster Fuller explaining himself in his own words. As such, it is a fascinating historical document. Fuller was great at pitching his ideas. Appropriately the film begins with Fuller lecturing on the concept of Spaceship Earth, a theory that defines the Earth as a closed system. This is in contrast to an infinite one that allows for perpetual growth. It is not an idea that originated with him but he certainly popularized it. A finite Earth seems obvious today but in the 1960s it was a radical idea, and one we still have yet to accept.

A small bingo hall is threatened by the opening of the country's largest bingo centre nearby.

Roger Cobb, a divorced horror novelist coming to terms with the disappearance of his young son, inherits an old mansion home to malevolent supernatural residents.

Trying to recover from the nearly marriage-breaking stress following the death of their child, Jack and Stephanie spontaneously take off on a road trip. But when their car breaks down in a remote area, they find themselves in a horrific nightmare. Seeking shelter in a house, they soon realize that more danger lurks inside than outside in this spine-chiller based on Ted Dekker and Frank Peretti's best-seller.

A private investigator helps a former flame solve the murder of her wealthy grandfather, who lived in a sprawling estate surrounded by his idiosyncratic family.

Malo has separated from his wife and a divorce is in the works. His children leave with his wife on holiday, and he is lonely and depressed. His friend Rémi drags him to a party in the country, and driving back they see by chance a notice of a house being sold at auction by creditors. The low reserve price surprises them and they go round to have a look. Finding the door open, Malo picks up a letter from a little girl to her father saying she misses him - moved by the resonance with his own daughter, Malo accidentally takes the note with him when they leave in a hurry. He then resolves to return the note to the now grown-up little girl Cloé, but of course it's awkward to explain how he got it. He learns that she really doesn't want to sell the house, which is all that remains of her childhood. The relationship between them develops, and emotions run high at the auction. Ultimately the film explores whether Malo can give both or either Cloé and his daughter what they want/need,